Timorous Beasties was formed by Alistair McAuley and Paul Simmons at their Glasgow studio in 1990. From the outset, their successive wallpaper collections vividly redefined the identity of interiors. Today, their collections and bespoke designs ornament and furnish both residential and commercial spaces, inside and out, using a universal range of techniques and materials.
In 2004 Timorous Beasties unveiled their critically acclaimed Glasgow Toile: by reversing the pastoral context of toiles de Jouy, they transformed the traditional toile device to create an exclusively modern urban genre. The Hotch Blotch fabric series challenges a 1000-year old aesthetic mode by placing disorder within the structure of damask pattern to reveal the inherent beauty of splatters, drips and blotches. Hunting Toile and Urban wallpapers mark a synthesis of 18th-century chinoiserie groupings, Rococo swirls, and Victorian silhouette paper cuts to create a uniquely contemporary ornamental textiles pattern repeat.
The art critic John Ruskin related a universal connection between nature, art and society. Timorous Beasties share a similar world view, where plants, animals, and society are visually inextricable. They are devoted to how that impacts as pattern design in our daily experience of furnished spaces, from one-bedroom flats to country villas, to the halls of civic and government buildings, departure lounge backdrops, boutique enclaves, restaurants, and hotels.